Josh Hartnett does fine with the dialogue and rhythm of the piece. He broods well and definitely has chemistry with his two leading ladies – Hilary Swank and Scarlett Johansson. Aaron Eckhart contributes another terrific performance (actually the best of the film) as a man who’s crossed the line and is unable to redeem himself. And although I felt Johansson was too young for the part of Kay, I did find her ability to deliver difficult noir dialogue impressive. Because of her age, it seemed at times that she was just dressing the part of a sophisticated grown-up rather than living it.
Where the film didn’t work for me was with the casting of Hilary Swank. Known for portraying grittier characters, Swank just isn’t believable as the pampered bisexual daughter of a doting millionaire. It’s a role that requires someone who could have been a sexpot in the '40s, and Swank just doesn’t fill the bill.
The Bottom Line
A tale of obsession, lust, love, friendship, loyalty, and, of course, murder, The Black Dahlia is gorgeous to look at and overall a satisfying experience. But keep in mind, this is not a biography of slain wannabe actress Elizabeth Short and while the film does offer one possible explanation as to who killed The Black Dahlia, it’ll leave true crime fans wanting more.
The Black Dahlia was directed by Brian De Palma and is rated R for strong violence, some grisly images, sexual content and language.
