Oh yeah, sure. We spent a lot of time talking about the script in the first week or so. [The director] brought us up there just to rehearse and play and get to know each other. But its so easy to get to know each other because we just blended so well. Alexander is amazing at casting and not all directors are good at casting. But good directors are always good at casting. Thats why we worked so well together. He knew that we would. He knew that we would get along.
How many times did you shoot your side of the grape monologue?
Im not exactly sure. I think we maybe did it three times, maybe four. I dont really remember. I just sort of did it really simply. One thing that you should know about Alexander is that he sits right next to the lens. Im old enough to remember the day when all directors did that. Of course now they look at this little tiny monitor where theyre really not seeing the humanity of the person. Theyre not seeing the subtleties; theyre not seeing the changes in your eyes. A lot of times, at least directors with me will say, Um, you need to kind of bump it up a little bit. And Im like, No, I dont. You dont realize. Trust me. Theyre like, Just this one part, give me a little bit umph. Of course, theyre not going to see it until they get into the editing room because theyre not there. Youll see it with many actors, because I know that Ive done it in a lot of films, that theres this really sort of irregular performance. And all of a sudden theyll be a scene and youre like, What was that?, because the directors not keeping up a through-line.
With that particular scene he was [close] and even the lights to the naked eye seemed low. It was a really intimate feeling because wed done the whole front room first. So by the time we got out there, there was this really intimate, laid-back, warm feeling. I had real wine in my glass, which I carried with me throughout that whole scene so I could smell the wine because at that point, we were supposed to have drunk a lot of wine. So I just had the smell of it, which would have been around a lot. And just the look of it and the feel of it in the glass. And he was just right there all the time, watching.
I cant watch myself so I just do whatever Im doing, and I really trusted him to know when I had it. He would let us do it as many times as we wanted to. But I thought, No, I dont want to ruin it. If you think its there, then well stop now. Then Paul and I were walking back to the trailer, and of course now we could drink that glass of wine (laughing). And were walking and were really silent. Paul stopped and said, Am I crazy or did that almost seem kind of easy? I said, Yeah. He said, Do you think it was okay? Was it any good? I said, I think it was. Because there wasnt this intensity that you can get on a movie set, like a monologue is happening now. Reading and preparing, the crews tense. Now it was just like it looks onscreen. That was the real feeling on set. I was just sitting there talking and those words were so beautiful that they just feel out of my mouth. He just kept this kind of concentration. It was just always there so I never felt like I dropped the ball and I had to go run and pick it up myself. Hed hold it with me. It was a wonderful experience.
Do you have any plans to work with your brother Michael in a movie?
Id love to work with my brother in a movie. I mean, wed love to work together but its almost like people either dont realize that were brother and sister or I think just the nature of our personalities, if we werent brother and sister they would certainly cast us opposite one another. Its hard to find a brother and sister script. Its just not out there.
So youd want to play brother and sister in a movie?
Oh yeah. Or I think because we have a lot of chemistry because we know each other so well, were really close, and I think that that would really come off on screen. So I think if we werent going to be brother and sister, I think wed have to be adversaries, which I think would be great. We would have so much fun doing that.

