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In DreamWorks Pictures' "Old School," Luke Wilson, Vince Vaughn and Will Ferrell star as 30-somethings who come up with an outlandish scheme to recapture some of their lost youth.

After a particularly bad breakup, Mitch (Luke Wilson) needs a new place to live and rents a choice house right next to a college campus. The idea of returning to their younger, wild and crazy days sparks a bizarre plan to turn Mitch's new residence into an off-campus fraternity house (even though none of the three is actually still in college).

Here's what the stars of the film had to say about working with one another, what it takes to go naked on film, and why "Old School" stands apart from other broad comedies:

Luke, what did you like about your character?
LUKE WILSON: I don't know. I liked the fact that Mitch is just a low-level office guy. That kind of character appeals to me. That just seems like a tough thing to do, [to] just work in the middle of a company for your entire life. You just do the same thing out of college until you're 60, and then you retire. Mitch is that kind of guy yet I guess he's got kind of a wild streak in him because he is friends with the characters played by Will and Vince.

Will, what is your craziest USC campus memory?
WILL FERRELL: Let's see, I had a fair amount. I had a work-study job in the Humanities AV Department. I was in charge of checking out tapes and overhead projectors and things like that. No one really kept track of where I was. I could leave my job at any time and what I would do on occasion is I would find out what classroom certain friends were in and then dress up as a janitor and show up in the middle of class. There was one specific class that I would do it to. I don't know if they have Thematic Option there anymore, but it was kind of a high-level English class and the teacher actually encouraged me. He would see me on campus and say, "Come by in two weeks and just screw around." I would stand outside the door with a power drill and just pretend like I was working on stuff, so I'd do stuff like that.

Was there a lot of improv going on during filming?
WILL FERRELL: We had a lot of 'improvisationals' between us. I like to use the term improvisationals. That was kind of the dynamic that we had going between the three of us that I think it translated on the screen.

LUKE WILSON: You get a good script and then when you get somebody like Todd [Phillips] who wrote it, and that helps, and that he's directing it. Then, of course, Will and Vince would come up with really good ideas so it's fun to be able to show up on the set. It's like you're blocking out a scene or trying to figure out how you're going to do it physically and where everybody is going to stand. Then, you start getting ideas. Not all the time, but a lot of times you get an idea of something to add. Especially with a comedy, you've got the clear cut goal of trying to make a scene funny. It's not like drama where you're trying to achieve some kind of emotion or trying to further the story along. You're trying to figure out what's the funniest way to do something. So then, yeah, you do end up trying to improvise.

How did you feel about the dramatic moments in the film?
WILL FERRELL: I definitely think that's what this movie brings [that's] a little different than what you think you're going to see. It's kind of what attracted the three of us to the material in the first place. There was a little more behind the characters than just going from one funny scene to the other.

LUKE WILSON: Whatever kind of movie it is, you're going to be more into it when you care more about the drama, or you'll have a better laugh if you feel like you know the people better. It is a broad comedy but we did want each character to be different and to have good backstories that could give whosever watching it a reason to be interested in them.

What would it take for each of you to streak in real life?
LUKE WILSON: I know that Will flew in his acting coach from Kentucky that night. He's a great guy. That's the kind of thing that does make it impressive to work with Will; he has the guts to do something like that. I wouldn't have been surprised if someone had actually said, "Can't I just have a pair of briefs on? It will still be funny." Will goes for it in a good way and it makes you kind of want to try things yourself. Not running down the street naked because I would never have the guts to do it, but it certainly makes me want to try and do a good job on the scenes I was working on.

VINCE VAUGHN: There's not enough booze in this hotel. I think it's good with Will, too, because what I like about it is it serves the story. I like it because it's funny but it also serves the story. It's not just a shot of him being naked for the sake of being naked.

What kind of research did you do for your role?
WILL FERRELL: I was the only one who was actually in a fraternity so obviously I had lived some form or variation of what you see. I also had run naked before sadly enough. I was able to draw on that sort of thing.

LUKE WILSON: Honestly speaking, for me personally this isn't the kind of movie that there was much research to do. It's a comedy, I knew the guys I would be working with, the script seemed pretty clear, and it's just a case of how do we try and make it better, how do I make sure all our stories work well together.

VINCE VAUGHN: I like to do research no matter what it is you're doing because I think you bring that to the screen. I called Will and talked about how we were friends and how we knew each other. It's not necessarily anything you see in the movie, but I think the more specific you are it just affects your performance. It's not as if you're reading books necessarily but it's using your imagination. Why did my guy get involved in speakers and start his store? How did he meet his wife? Those kinds of things, for me, are always helpful. Then when improvisation happens... The ear muff scene where he swears in front of the kids, and then I tell the kid to ear muff, that all is off the cuff. But that stuff is a lot easier to do when you know who you are and your circumstances, and who your characters are.

Vince, this is a different role for you. What made you decide to do a broad comedy?
VINCE VAUGHN: I started in Chicago at the Improv Olympic, which is live improv and team improv. The first thing that I did that started things off was with Favreau and "Swingers," which was a comedy but a character-driven comedy. I prefer that kind of comedy. Then we did "Made," which is a darker, smaller, character comedy. [After "Swingers,"] I got offered mostly comedies but I chose not to do them because I didn't really think they were funny. I find the things that make me laugh are over-commitment to a very real thing, not just falling down for falling down's sake. That's why I'm a fan of Will's work because even with a broad comedy, he's very much in his circumstances and there's a lot of truth there.

When I met Todd and saw the script I thought what was cool was that in all relationships between [the] guys and girls, the things that are discussed were universal. "Am I ready to be married? Am I not? Someone cheated on me. I'm married but am I missing out on having fun?" You take those circumstances that are universal and you make them extreme. You walk in and maybe catch your girlfriend cheating on you, but do you catch two naked people jumping out of the closet? To me, I responded to the fact that it was based in reality. I think what separates this movie, in my opinion, from a lot of big comedies that have scenes that may be effective, is you can follow and see what's at stake for the characters. That's why this particular script, and the fact that these guys are involved, made me interested in doing it.