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Rosario Dawson Talks About "25th Hour" | |||||||||||||||
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by Rebecca Murray and Fred Topel |
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Rosario Dawson was a natural choice for the role of 'Naturelle.' Dawson and Spike Lee had previously worked together on "He Got Game," and had been looking for another project to work on together.
I love working with Rosario, and right away there was very good chemistry between her and Edward [Norton], says Lee.
Dawson's onscreen love interest, Edward Norton as Monty, had nothing but praise for his co-star's approach to acting. She has a very natural sense of understatement. She is very comfortable with stillness, which I think is the key to film acting and which I think is very rare in an actress as young as she is. I was very impressed with Rosarios talent in He Got Game and really wanted her to play this part," explains Norton.
ROSARIO DAWSON ('Naturelle')
Was Spike Lee intimidated when you demanded this role from him?
Did you know that in the book the character was Naturelle Rosario?
Was it different working with Spike Lee again after making two movies with Ed Burns?
He has changed so much. It was really interesting. His passion was charged in a way when he was younger, and he was just in a different place in his life than he is now. It was really wonderful this time around and being able to see that, and I think vice versa, because over the years we keep bumping into each other and talking and stuff, just seeing each other grow has always been really nice. It just only made me anticipate more and more the opportunity to work with him again. And it was very rewarding.
Why is Naturelle with Monty (played by Edward Norton), a drug dealer who many would consider the scum of the earth?
When we meet, I'm interested and I'm curious about what he's doing because he's burning a number from a client. And I'm like, Who is this? and my girlfriend's like, That's a drug dealer. Stay away from him. So I'm automatically peaked and what do we talk about? Basketball. It's like our relationship is always about the other side that isn't the obvious side. It's like who we are as people and then that's the other side, what he does for a living. We've kind of ignored it and kept it away. I think what's interesting about how it's done is that it's not black and white. I think you like Monty. I think he's a really good guy. He's charming, he's interesting, he's got good friends and I think it's those exact qualities about him. He uses his good powers for evil, and that's when it gets to the dangerous side of it. I think the dangerous element, again, she's young [and] it's very attractive. I think that's what keeps her there, but it's not something that would have lasted for very much longer.
It's exactly those qualities that are almost irresistible to the people in his life. Most of the people, especially the people who really care about him, his good friends, the people who know him the best, are all these people who have regular, morally sound, jobs and lifestyles. But every single one of them admires him and to some degree is a little jealous, a little envious, and covet the lifestyle that he has. Maybe not the means by which he gets it, but definitely the lifestyle that he has. I think that's what they all share and that's where they want to superficially deal with him in that way, not really take on the bigger picture.
I thought my character definitely was very much in love with him and wanted to be with him, but I think at some point they were going to have to draw the line. You can only avoid responsibility for so long. The catalyst ended up being the law coming down and finally saying, You guys suspended judgement and that's fine, because we're not. They kind of took it out of our hands. We're still able to deal with him on an emotional level. He got his just means because that's just how it works. He got his consequences but none of us fed it to him.
Monty's friends and his father stay very loyal to him. How do you explain considering the fact he's a drug dealer?
It's that same sort of idea that the relationship we have to lots of people in our lives that are not... All the times that you take the easier route of just kind of ignoring how that transaction's going down and not taking responsibility of putting your foot down. We all do it to a certain level. It's very subtle. But this person just took it a little too far and he suffers for it.
But again, I think it's all the opportunities that we have at every single one of those moments that's in our face, it's glaringly obvious and we always ignore it. All the times being like, Who rented this car and why are we going to this place? You take the easy route and go, Oh, thanks for the champagne. I'll have another.
How is the boyfriend situation?
The trades or the tabloids?
Want to clear up rumors about Cris Judd?
Was it just made up?
How about the one where you were engaged to Joshua Jackson?
Why are people so interested in your love life?
Is it weird to work so hard and be recognized for things said in a magazine, that may not even be true?
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